Roberts & Tilton is pleased announce Betye Saar’s participation in Soul of a Nation: Art in the Age of Black Power at Tate Modern. Spanning the period 1963-83, the exhibition explores how the category ‘Black Art’ was defined, rejected and redefined by artists across the United States. Most of the works will be on display in the UK for the first time and the Tate Modern exhibition will shine a bright light on the vital contribution of black artists to a crucial period in American art. Betye Saar will be represented with iconic historical assemblage works in addition to an abridged installation of her 1973 California State University, Los Angeles exhibition. A fully illustrated catalogue published by Tate/D.A.P. accompanies the exhibition. Soul of a Nation: Art in the Age of Black Power is curated by Mark Godfrey and Zoe Whitley, with assistant curator Priyesh Mistry. Following its presentation at Tate Modern, the exhibition will travel to Crystal Bridges Museum of American Art, Bentonville, Arkansas (February 2 – April 23, 2018) and the Brooklyn Museum, New York (September 7, 2018 – February 3, 2019). Image (front/back): Betye Saar House of the Head, 1971, mixed media assemblage, 40 x 20 x 3 in (101.6 x 50.8 x 7.6 cm) Private Collection, Los Angeles, courtesy of the Artist and Roberts & Tilton, Los Angeles, California. © Betye Saar. Photo: Robert Wedemeyer. For additional information, please visit tate.org.uk
The Craft & Folk Art Museum (CAFAM) presents Betye Saar: Keepin’ It Clean, a solo presentation of the seminal contemporary artist’s washboard assemblage sculptures, which she began in the late 1990s and continues to make to this day. Born in 1926, Saar is a prolific artist and iconic figure of the Black Arts Movement of the 1970s, whose complex assemblage sculptures address race, memory, and Black consciousness. Curated in close collaboration with the artist, the exhibition presents twenty-four new and historic works that center the washboard as a symbol of the unresolved legacy of slavery and the subsequent oppressive systems facing Black Americans today, particularly Black women. Saar’s renewed focus on making washboard assemblages stands as an urgent act of cleansing the race- and gender-based violence that American society continues to inflict. In Saar’s own words, “the increase of police shootings and the Black Lives Matter protests are examples that America has not yet cleaned up her act.” For additional information, please visit cafam.org
Roberts & Tilton is pleased announce Betye Saar’s participation in We Wanted a Revolution: Black Radical Women, 1965–85. Focusing on the work of black women artists, the exhibition examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color—distinct from the primarily white, middle-class mainstream feminist movement—in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. For additional information, please visit the following link.
Fondazione Prada presents the exhibition “Uneasy Dancer”, a comprehensive survey of work by Betye Saar (Los Angeles, 1926). This exhibition, hosted at the Nord Gallery, opens to the public from 15 September 2016 through 8 January 2017. Curated by Elvira Dyangani Ose, “Betye Saar: Uneasy Dancer” is the first exhibition of the American artist in Italy, and brings together over 80 works including installations, assemblages, collages and sculpture produced between 1966 and 2016. For additional information, please visit the following link.