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The New York Sari showcases the deep influence that South Asians have had on the culture of New York City and how individuals have drawn strength from tradition while looking clearly towards a bolder future of inclusion and progress. It centers the sari as an essential part of the cultural fabric of New York City, using it as a metaphor for the ways in which the individuals who wear and create saris have straddled tradition, culture, and modernity in their work, art, and lives. The exhibition tells the stories of who wears saris, the relationship between saris and identities, and how they've evolved over time. 

Suchitra Mattai is included in the 36th edition of the São Paulo Biennial. Entitled Not All Travellers Walk Roads – Of Humanity as Practice, the edition takes its cue from Afrobrazilian poet Conceição Evaristo’s enigmatic poem Da calma e do silêncio [Of calm and silence].

A newly established curatorial group—initiated by Betye Saar in collaboration with Roberts Projects—will serve as a scholarly committee dedicated to preserving, interpreting and advancing Saar’s profound artistic legacy. Working closely with the artist, her studio and her longtime gallery, the Betye Saar Legacy Group will provide expert guidance on Saar’s decades-long practice and her impact on contemporary art history.

The Wooyang Art Museum presents I Have Been Here Before, the first institutional solo exhibition in Asia by artist Amoako Boafo. Through a selection of recent and iconic paintings across four thematic spaces, the exhibition invites viewers to explore the nuances of identity, visibility, and self-representation through a body of work that is both deeply personal and powerfully resonant. For this landmark occasion, Boafo unveils a series of new works presented within a site-specific structure designed by Glenn DeRoche of inspired by Korea’s traditional hanok courtyards.