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Evan Trine’s photographic practice presents new perspectives on the familiar. Though formally varied, his projects frequently manipulate the roles of individual elements derived from diverse visual populations. By eschewing traditional darkroom chemistry for digital processes, the formal, conceptual and technical aspects of photography are transferred, or translocated, to the work. Trine’s methodology broadens his interest in aspects of process, language, and materiality, regularly incorporating the use of common references as source material.