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In Simulacra and Simulation, Jean Baudrillard said that “abstraction is no longer that of the map, the double, the mirror, or the concept. Simulation is no longer that of a territory, a referential being, or a substance. It is the generation by models of a real without origin or reality: a hyperreal.” One might take this a step further and say that a simulated space, idea or object exists permanently without an identity, origin or reality, and that we live our lives in relation to our own relative awareness of this truth. Ultimately, we cultivate a hyperreality to cope with the fact that we rely on systems of understanding that are by their very nature culpable, antiquated or completely false.

Evan Nesbit Pink Continuance Against Various Super-Units, 2018 Acrylic, dye on burlap 79 x 68 in (200.7 x 172.7 cm)

Evan Nesbit
Pink Continuance Against Various Super-Units, 2018
Acrylic, dye on burlap
79 x 68 in (200.7 x 172.7 cm)

Evan Nesbit Yuba Fizz, 2018 Acrylic, dye on burlap 79 x 68 in (200.7 x 172.7 cm)

Evan Nesbit
Yuba Fizz, 2018
Acrylic, dye on burlap
79 x 68 in (200.7 x 172.7 cm)

Aimee Goguen Blob Box, 2016 Wood, gouache, acrylic, dye, glue 24 x 24 x 24 in (61 x 61 x 61 cm)

Aimee Goguen
Blob Box, 2016
Wood, gouache, acrylic, dye, glue
24 x 24 x 24 in (61 x 61 x 61 cm)

Evan Nesbit What the Sun Said Inside A Cardboard Box, 2018 Acrylic, dye on burlap 79 x 68 in (200.7 x 172.7 cm)

Evan Nesbit
What the Sun Said Inside A Cardboard Box, 2018
Acrylic, dye on burlap
79 x 68 in (200.7 x 172.7 cm)

James Hayward Red/Yellow/Blue Ratio Triptych #2, 2010 Oil on canvas on wood panels 14 x 11 in (35.6 x 27.9 cm) (each)

James Hayward
Red/Yellow/Blue Ratio Triptych #2, 2010
Oil on canvas on wood panels
14 x 11 in (35.6 x 27.9 cm) (each)

Terri Friedman Looking for what is not wrong, 2018 Wool, cotton, acrylic, metallic fibers, stained glass 64 x 48 in (162.6 x 121.9 cm)

Terri Friedman
Looking for what is not wrong, 2018
Wool, cotton, acrylic, metallic fibers, stained glass
64 x 48 in (162.6 x 121.9 cm)

Aimee Goguen Ghost Box, 2016 Wood, gouache, acrylic, dye, glue 24 x 24 x 24 in (61 x 61 x 61 cm)

Aimee Goguen
Ghost Box, 2016
Wood, gouache, acrylic, dye, glue
24 x 24 x 24 in (61 x 61 x 61 cm)

Terri Friedman Eudaimonia, 2018 Wool, acrylic, cotton, metallic fibers, stained glass 84 x 42 in (213.4 x 106.7 cm)

Terri Friedman
Eudaimonia, 2018
Wool, acrylic, cotton, metallic fibers, stained glass
84 x 42 in (213.4 x 106.7 cm)

James Hayward Abstract #176, 2012 Oil on canvas on wood panel 15 x 13 in (38.1 x 33.02 cm)

James Hayward
Abstract #176, 2012
Oil on canvas on wood panel
15 x 13 in (38.1 x 33.02 cm)

Terri Friedman awe/ful, 2018 Acrylic, wool, cotton, metallic fibers 45 x 64 in (114.3 x 162.6 cm)

Terri Friedman
awe/ful, 2018
Acrylic, wool, cotton, metallic fibers
45 x 64 in (114.3 x 162.6 cm)